Information

About

Adriaan Mellegers is an Amsterdam-based graphic designer focusing on institutional, artistic and commercial commissions within the fields of art, architecture and design. With a strong editorial approach and a consistently innovative use of typography, materials and color, Adriaan's design sensibility engages the creative and content driven objectives of all involved. Central to Adriaan's approach is a positive and enjoyable working experience where open dialogue with collaborators is key. From 2010 to 2011 Adriaan was the senior designer at Frame publishers where in 2011 together with Cathelijn Kruunenberg and Mariëlle van Genderen he was responsible for the art-direction and re-design of Frame magazine (NL), an international trade magazine for interior and product design.

The Curriculum Vitae PDF may be downloaded here

Contact

Scheepstimmermanstraat 124 (map)
1019 WZ Amsterdam
The Netherlands

Telephone: +31 6 2462 8063
E-mail: studio [at] adriaanmellegers [dot] com

Facebook
Linked Inn

Colophon

Website engineerd by the one and only Denny Backhaus
Design by Adriaan Mellegers & Denny Backhaus
Photography by Adriaan Mellegers & Jochem Sanders

For the best viewing experience use Chrome, Firefox or Safari

Built with Indexhibit

Frame Magazine (2011)

Frame (NL) is a bi-monthly international trade magazine about contemporary interior and product design. In 2011 together with Mariëlle van Genderen and Cathelijn Kruunenberg I was responsible for the re-design and art-direction of the magazine. Our goal was to make a content driven layout that is simple and to the point. We gave the magazine a strong but flexible typographic identity, using two typefaces and a set of simple rules to define the different sections. The only graphic interventions are a color palette that changes per issue and the overlapping of text and image.

Soda Palm Suite (2011)

Lotte Geeven is a contemporary artist who works a lot with Day-Glo colors in her work. This aspect we translated into the printing process, when we replaced Magenta and Yellow with Day-Glo PMS colors. Nature and a german flower book were a big inspiration for Lotte's small projects made in Indonesia, so we made a third flower-book of the same size. The editorial part of placing the images was a big part of the concept, we used associations within color, content and form to create the order. All groups are then placed again in an index at the end of the book. Designed together with Karen van de Kraats.

New Scenes (2011)

New Scenes is an artist publication designed for Esther Tielemans' exhibition at Museum van Bommel van Dam. The Book has a hard cover that is partly covered in linen, the linen stripe on the backside of the book being wider than on the front. The name of the book is foiled into the linen on the front side of the book. Because Esther uses Day-Glo colors in her work, we mixed the cyan, magenta and yellow process colors with 25% Day-Glo ink. This giving the images more color and contrast. The book contains an overview of three exhibitions by Esther Tielemans, that deal with painting and the three-dimensional space. Published by Museum van Bommel van Dam & Onomatopee.

Where They Create (2011)

Where They Create is a book published by Frame publishers. The book is a selection of 32 artist / creative studio's and offices from all around the world, that where shot by Australian photographer Paul Barbera. The books have a hard bound silkscreened cover. Each book has a cover sticker of one of the 32 participants from the book. This making for 32 different book covers. The layout is a mix of small and large images, zooming in and out of details, emphasizing the voyeuristic nature of Pauls' photographs. The studio portraits are accompanied by an interview, streamers and a large quote that introduces each of the stories.

Colour Hunting (2011)

Colour Hunting is a book published by Frame publishers. The book is divided into three chapters. The primary colours, red, yellow and blue define these chapters. Between the chapters are short inserts of colour facts, that are organized and designed by the colour they represent. The identity of the book is also defined by crosshair-like stripes at the edge of the layout and the Ano typeface, which has oversized, undercast capitals. The titles are centered on the page between the cross-hairs as a reference to the word 'hunting'. Designed together with Mariëlle van Genderen.

Last update: 20/11/2011

© 2011